The full log for this week — every entry annotated and sourced. ▶ play the whole edition on Spotify
Where it started: the first edition, twenty tracks, one rule — nothing you'd find on an algorithm's front page. — ed.Monumental in name and nature — modern prog with metal weight and architectural patience.
South American prog with real voltage — Abismo ("abyss") does exactly what the title promises.
Drummer-led prog with aerial dynamics — OVERWHELMED wears its capital letters honestly.
Finnish prog metal with an unusually light touch for the genre — Illuminate glows rather than bludgeons.
The Knifeworld/Cardiacs lineage at its most buoyant — Torabi's songcraft bends time signatures into pop shapes without ever losing the grin. A solo single that earned its opening slot.
From the first harvest's deeper cuts — modern prog with a melodic heart and no interest in showing off.
One of the harvest's left-field picks — compact, hooky, and off-kilter in the right proportions.
The Neal Morse-adjacent outfit operating at full melodic strength — dream-logic prog with immaculate harmonies.
A pep talk with guitars — modern prog that takes its own advice.
Chicago's doom-psych heavyweights. Aerial Birth rides a riff the size of a weather system — the volume is the point, and the point is well taken.
Quiet-loud dynamics done with actual feeling — Home builds its crescendo the old way, by earning it.
Italian post-sludge that swings for the horizon. The riff arrives like weather; Bring Down the Sky is the forecast.
Piano-led fusion that whirls — the title is the honest review.
Brazilian jazz-fusion with a songwriter's wit — the escalator metaphor extends further than you'd think.
Guitar-forward fusion with a romantic streak — Something To Believe In makes the case without words.
A jazz-fusion two-hander with humor in the pocket — Matti's Mojo has the swing the name implies.
The Armenian pianist-composer's foliar arpeggios — a prelude that sounds like a whole orchestra tuning to a folk memory.
The Fugazi rhythm section's instrumental outfit — jazz-punk with DC pedigree and zero wasted notes.
Cello-led ambient jazz — To March Is To Love drifts with purpose.
The French duo's single from Prog's Tracks Of The Week — angular, theatrical, unmistakably from the French prog tradition of taking odd ideas seriously.