What has gone out

• Ed. 12 · 26 October 2026 The low end took the melody.Thirty-eight tracks, from King Crimson's talking Stick to a 2026 Tony Levin album with Robert Fripp on it, all built the same way: the bass is not holding the g
• Ed. 10 · 12 October 2026 A relay, not a soundThirty-four tracks, eight of them from the era itself, and the rest of this week's new prog, jazz and fringe — a week built around the bands that kept breaking
• Ed. 9 · 5 October 2026 Rock In Opposition: the refusal that built its own labelThirty-seven tracks from a lineage edition: RIO's 1978 refusal, the Recommended Records infrastructure that outlived the collective, and the week's new prog, fr
• Ed. 8 · 28 September 2026 The restless line: Seoul to TokyoThirty-nine tracks across the living East Asian jazz network — Tokyo's small-combo economy, Seoul's writing-first jazz axis, the Chinese/Taiwanese edges, and tw
• Ed. 7 · 21 September 2026 The living line: Melbourne to AucklandSeventh edition: Aus/NZ living scene — psych-festival energy, modern-jazz collectives, NZ art-pop, plus two 1975-76 roots. Harvest bounded by bot-walled press s
• Ed. 6 · 17 September 2026 The living line: Tel Aviv to Beirut to AddisSixth edition: fresh harvest from Prog Rock Journal, The Progressive Subway, Arctic Drones, A Closer Listen, EARMILK, Jazzwise, All About Jazz and more, spotlig
• Ed. 4 · 15 September 2026 Latin American prog & fusionFifth edition: the week's harvest from Prog Rock Journal, Louder's Tracks Of The Week, The Progressive Subway, A Closer Listen, The Free Jazz Collective and mor
• Ed. 3 · 8 September 2026 ScandinaviaThird edition: the week's singles from Prog, The Progressive Subway, The PROG Mind, A Closer Listen and the Free Jazz Collective, plus a spotlight on Oslo's lab
• Ed. 2 · 31 August 2026 Zeuhl & Canterbury descendantsWeek Two of the experiment: thirty-eight tracks pulled almost entirely from the week's editorial — Prog magazine's Tracks Of The Week, The Progspace's release r
• Ed. 1 · 29 August 2026 The Ground RulesWhere it started: the first edition, twenty tracks, one rule — nothing you'd find on an algorithm's front page. Everything here was pulled from the week's writi